The American theatre scene is facing an unprecedented challenge. From Broadway luminaries to regional theatre directors, there is a collective call to address the ongoing crisis threatening the very fabric of theatrical arts in the country. But the crisis isn’t just about preserving the arts. It’s about the economy, jobs, and the communities that benefit from a thriving theatre industry.

Prominent figures like Lin-Manuel Miranda and Phylicia Rashad are set to convene in Washington, D.C., guided by Sen. Charles E. Schumer, to discuss introducing the *Supporting Theater and Generating Economic Activity Act* (STAGE Act). The act will inject $500 million annually into nonprofit regional theatres over five years if passed. As highlighted by Oskar Eustis, artistic director of New York’s Public Theater, this funding could be the lifeline theatres need to serve their communities in meaningful ways during these trying times.

Behind this initiative is the Professional Non-Profit Theater Coalition, an organization representing the interests of over 140 theatres nationwide. Founded by Nataki Garrett during the pandemic shutdown, this coalition seeks to change the narrative surrounding theatres, emphasizing their economic and cultural significance.

Economic data cannot be ignored. A Theatre Communications Group report reveals that, before the pandemic, nonprofit theatres contributed over $2.8 billion to the U.S. economy, employed 145,000 individuals, and catered to an audience of 38 million. As Danny Feldman, artistic director of the Pasadena Playhouse, pointed out, if industries like the auto sector receive massive bailouts during crises, why shouldn’t the theatre industry be treated similarly?

However, the argument isn’t just economic. Theatres have consistently been bastions of arts education, public health partnerships, and platforms that tackle societal issues. Programs like the ‘Hamilton’ education initiative are just the tip of the iceberg of what theatres contribute to their communities.

Despite the evident benefits of theatres, the post-pandemic landscape has been harsh. Established institutions are cutting back, with some even shutting down. Isaac Butler, a critic and author, warns of the ripple effects of such a collapse — less innovative work, decreased risks, smaller casts, and a neglect of upcoming talent. The repercussions of a crumbling theatre ecosystem could be far-reaching.

While various federal and state initiatives have tried to address the challenges, most have been deemed insufficient. The theatre industry needs more substantial, consistent support, Whether limited funds from the NEA or the ad hoc and privately led initiatives.

The STAGE Act aims to be that support. As the theatre industry navigates issues like record inflation, “donor fatigue,” and changing theatre-going habits, this act could provide the stability theatres need to rebound and thrive.

The American theatre isn’t just an entertainment platform; it’s an economic powerhouse, an educator, a community partner, and a cultural pillar. The ongoing crisis underscores the need for a collective effort to save this invaluable sector. As Oskar Eustis aptly puts it, the theatre industry makes its case daily through its work; it’s high time the larger community recognizes and supports its pivotal role.