Anna Badkhen on Imprints of the Past


Emergence Magazine is an online publication with annual print edition exploring the threads connecting ecology, culture, and spirituality. As we experience the desecration of our lands and waters, the extinguishing of species, and a loss of sacred connection to the Earth, we look to emerging stories. Our podcast features exclusive interviews, narrated essays, stories and more.

What can we learn from imprints in the earth about the ancient presences that left them behind? Acclaimed author Anna Badkhen traces markers left in the earth from the near and distant past, from the buffalo wallows of North America to the treasure-hiding game sekretiki she played as a child, from the histories held in whale earwax to the map of our human becoming in the Bouri Peninsula of modern-day Ethiopia. Reading each of these imprints as a kind of porthole—a window into memory, with all the retellings and reinterpretations characteristic of our messy, continual search for meaning—Anna wonders what lineage of impressions we might leave for the future.

Read this essay.

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Anna Badkhen is the author of seven books, most recently Bright Unbearable Reality, which was longlisted for the 2022 National Book Award and for the 2023 Jan Michalski Prize for Literature. Her awards include the Guggenheim Fellowship, the Barry Lopez Visiting Writer in Ethics and Community Fellowship, and the Joel R. Seldin Award from Psychologists for Social Responsibility for writing about civilians in war zones. Her essays have appeared in New York Review of Books, Granta, Harper’s, The Paris Review, Orion, and The New York Times. Anna was born in the Soviet Union and is a US citizen.

Studio Airport is Bram Broerse and Maurits Wouters. Together with a small team of creatives, they run a design practice based in Utrecht, the Netherlands. The studio has been recognized with international awards for projects such as Hart Island Project (New York), Amsterdam Art Council, and Greenpeace International.




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