Ask your average German about Jenny Erpenbeck, and they may very well respond, “Jenny who?”
Yet the contemporary German author has made a name for herself beyond Germany’s borders; she’s showered with prizes and has even been predicted to one day win the Nobel Prize in literature. Her books have been translated into over 30 languages, and she’s read to thrilled audiences in Uzbekistan, Mexico and India during her global book tours.
So why the discrepancy?
It’s not as if Erpenbeck is totally unknown in Germany — quite the contrary. She has a loyal readership, and she can usually count on one literary prize a year, earning her media mentions. Her 2021 novel, “Kairos,” has also received some awards — just no major Germans one, like the German Book Prize or the Leipzig Book Fair Prize. Yet, in keeping with the pattern, the novel’s English translation has garnered acclaim beyond Germany’s borders, earning her, and her translator Michael Hofmann, a spot on the International Booker Prize short list.
‘East German’ problems
Perhaps there is something to Erpenbeck’s feeling that the wall that once separated East and West Germany never really fell, that West German cultural perspectives continue to dominate public discourse.
Erpenbeck is from the former East Germany. Born in East Berlin in 1967, she was 22 when the wall came down. The state in which she had grown up, the German Democratic Republic (GDR), simply ceased to exist shortly thereafter, and she found herself in a new country, the Federal Republic of Germany, which wasn’t really interested in the history of the GDR.
“Kairos” addresses the end of the GDR. In an interview with the German weekly magazine Die Zeit, Erpenbeck said it was no coincidence that the novel didn’t garner much attention within Germany, since not a single East German-born individual sat on the juries of the major German book prizes the year the novel came out.
“I’m not interested in your problems either,” she said in the interview with the Hamburg-based publication, whose roots lie in West Germany.
End of the world as we know it
“Kairos” is about life’s turmoil. It’s a toxic love story set during the final days of the GDR. The lovers: a young woman and a man 34 years her senior — a former fascist in Nazi Germany turned zealous communist. It’s also the story of artists in the GDR — a state with omnipresent censorship that required critique to be subtle and well-hidden.
“Kairos” tells of people experiencing the transition from a communist-socialist regime to a free-market state — an earthquake that fundamentally shakes how they see themselves. The lovers’ breakup captures the instability they face as their world crumbles.
Erpenbeck powerfully captures the end of the GDR; she knows what it felt like. In a 2018 essay for the German women’s magazine Emma, she wrote, “Freedom wasn’t gifted. It had a price, and the price was my previous life. The price was that which had just been called the present now was called the past […] From here on out, my childhold belonged in a museum.”
Writing is a family tradition
Before she turned to writing, Erpenbeck first trained as a book binder. She then worked as a theater props manager before studying theater and musical theater direction. Yet it would be the page, not the stage, that called her.
Writing was part of her family’s history: two of her grandparents were writers, and her father, John, a physicist, also published multiple books.
Erpenbeck made her writing debut in 1999 with “Geschichte vom alten Kind,” known in English as “The Old Child” (translated by Susan Bernofsky in 2005). The novella is about a girl who is found in the street and seems to have no background and no memory. The story was seen by many as an allegory of the disorientation GDR citizens experienced after their state ceased to exist.
Nothing lasts forever
Impermanence is a recurring theme throughout Erpenbeck’s works. For instance, in her 2008 novel “Visitation” (translated by Bernofsky in 2011), the inhabitants of one house experience multiple upheavals: the Weimar Republic, the Third Reich, World War II, the GDR, the transition to democracy and the period after.
Her 2015 bestseller “Gehen, ging, gegangen” (“Go, Went, Gone”), about the hopeless situation of asylum-seekers in Berlin, was shortlisted for the year’s German Book Prize; the 2017 English translation by Bernofsky was long-listed for the 2018 International Booker Prize.
Erpenbeck and Bernofsky won the Independent Foreign Fiction Prize — the forerunner to the International Booker Prize — in 2015 for “The End of Days,” the English translation of “Aller Tage Abend,” a novel that asks what the life of a girl might have been like had she not died in infancy.
Good timing for ‘Kairos’
Erpenbeck is the first German author since 2020 to be short-listed for the International Booker Prize, a prestigious annual British award for a work of fiction translated into English that for many bibliophiles rank just below the Nobel Prize in literature.
The winner will be announced in London on May 21, with the winning author-translator duo receiving £50,000 (€58,000/$63,000).
The other 2024 short-listed author nominees are Ia Genberg (Sweden), Selva Almada (Argentina), Hwang Sok-yong (South Korea), Jente Posthuma (Netherlands) and Itamar Vieira Junior (Brazil).
“Kairos” is the first translation of Erpenbeck by the established German-English translator Michael Hofmann. The book’s title comes from ancient Greek and refers to the god of opportunity and luck — of things coming at the right moment. Perhaps it’s a good omen for Erpenbeck.
This article was originally written in German.
Correction, May 20, 2024: An earlier version of this article misspelled the name of translator Michael Hofmann. DW apologizes for the error.