Warning: This story contains spoilers for Our Flag Means Death season 2, episode 8, “Mermen.”

Our Flag Means Death closed out its second season with a wedding, a funeral, and a happy ending for everyone’s favorite star-crossed sea captains.

The season 2 finale follows the Revenge crew as they fight back against the dastardly Prince Ricky Banes (Erroll Shand), reclaiming control of the Republic of Pirates. It also marks an emotional reunion for separated lovers Stede Bonnet (Rhys Darby) and Ed “Blackbeard” Teach (Taika Waititi), who parted ways only to realize that they can’t bear to say goodbye.

But the victory against Banes is hard won: Izzy Hands (Con O’Neill) is injured in the skirmish, and he ultimately succumbs to his wounds. A perpetual grouch, Izzy has evolved from tyrannical first mate to beloved crewmate, becoming a fan favorite in the process. (He’s also responsible for one of this season’s most spectacular scenes: an emotional rendition of “La Vie En Rose,” delivered in drag.) His shipmates bury him on land, marking his grave with his prosthetic wooden horse leg.

Despite Izzy’s sacrifice, it’s not all bad news for the Revenge crew: Stede and Ed get their long-awaited happy ending, settling down to run an inn together. Meanwhile, their friends take the Revenge and literally sail off into the sunset, seeking new adventures under the command of Captain Frenchie (Joel Fry). It’s a tidy ending (and a major departure from last year’s cliffhanger), and as of the finale’s airing, Max has yet to announce plans for a potential third season. Might Stede and Ed take to the seas again — or is the end for the Revenge?

Here, series creator David Jenkins breaks down that bittersweet finale, from O’Neill’s emotional death scene to the real history behind pirate weddings.

ENTERTAINMENT WEEKLY: Let’s start with Izzy’s death. Did you always plan to kill Izzy off this season?

DAVID JENKINS: Yes. It feels like the logical end of Izzy’s arc. It’s heartbreaking to me because he’s my favorite. They’re all my favorite because they’re all my kids, but Izzy is very near and dear to my heart. The season was kind of built around [the idea of]: What’s the best journey we can give him? And what’s the most interesting thing we can do with Con, who can do just about anything?

How did Con react when you laid out Izzy’s storyline this season?

I told him in the middle of shooting because I didn’t want him to find out at the table read, obviously. I also didn’t want it to leak. He was lovely about it. I called him and said, “Let’s get a bite to eat,” and he said, “I’ll need cake!” We had dinner, and I gave him a cuddle, and he took it pretty well.

A lot of these characters have evolved over two seasons, but it seems like Izzy has gone through one of the biggest evolutions. He went from being so dismissive of the others to being a key part of the crew. What interested you most about his arc?

You know, I didn’t expect him to become kind of a father figure to Ed. I think we hit on that while we were breaking the [final] episode. He’s in such a weird position: He’s like a jilted lover, and then he’s a middle manager who has to work for a terrible boss. He gets thrown away, and then he comes back. He really develops, and he becomes a part of this family. I think the biggest surprise was the extent that he was a mentor to Ed. They were both Blackbeard. They both made Blackbeard happen.

What do you remember most about filming Izzy’s death scene?

That was one of the last things we shot. As we got closer and closer to it, I could see it weighing on Con. It’s hard: This is something we both made together, and his character is gonna die. He was taking it really seriously. Then, when we were shooting, I made him a playlist. I asked if I could play him some music, and I did, and we sat there and we watched Izzy die.

I also wanted to ask about the scene where Ed and Stede reunite on the beach, fighting their way back to each other through hordes of soldiers. How did you want to approach that sequence?

We have a wonderful fight and stunt coordinator, Jacob Tomuri, and [director] Fernando Frias laid out how he wanted to shoot it with [cinematographer] Mike Berlucchi. With this show, we’re basically making a one-hour show on a half-hour budget and schedule, so we really have to pick our shots. But the location was just unreal. Everything in New Zealand just looks amazing. We were driving to a different location to scout the lake where Blackbeard tries to be a fisherman, and it was like, “What is this?” It was this giant black sand dune that seems to go on for miles. We were like, “Oh, we have to do something here.”

The episode ultimately ends with a happy ending for Ed and Stede: They’re starting an inn together on land as their friends sail off to new adventures. Walk me through why you wanted to give these two a happy ending.

With this season starting so dark, I kind of wanted to reward them for the work that they’ve done and the character growth that they’ve had. I wanted to leave them in a place where they’re really going to try and make this work. I don’t think it’s going to be easy for them, necessarily. They’re both still immature. But after the death of Izzy, we have a wedding, and it feels like we have the kids taking the car, driving off while the parents watch from the porch. It felt right to give them something to balance the loss of Izzy, where neither of them is going to run. They’re both saying they’re going to commit to each other, and it felt like the best place to leave them this season.

That makes sense. So much of their story has been about running away: Stede running away from his family, them running away from each other. This is them deciding not to run away.

And I don’t think it’s going to be easy. I think the day after that scene would be very hard. But they can try.

You mentioned the wedding between Lucius and Black Pete. I know that pirate weddings and civil partnerships were a real thing from history. Why did you want to end on that moment?

We knew we wanted a matelotage in the second season, and pretty quickly we landed on Lucius and Black Pete. It seems like they were ready for that. We made up a ceremony and everything, where they call each other mateys, and it was just fun to make our own version of a pirate wedding ceremony. But they really did have this phrase “matelotage.” It was a formal process for relationships between crew members. It just seemed very sweet to see that they wanted to take that step together.

Last season ended on a cliffhanger, but this season ends pretty neatly, tying up a lot of loose threads. This could work as a series finale. Do you know if the show is getting a season 3, and are you already thinking about where this story could go next?

I mean, we’ll see. We’ll see if it makes sense for them to make a third one. We have a lot of ideas for a third season, and there’s a lot more story to tell. But if it’s not in the cards, I just wanted to leave Stede and Blackbeard in a good place. Instead of seeing them get punished for following each other, I wanted to see a moment where they’re alright. And it is just a moment: I think a relationship is going to take a lot of work for them.

But it felt like a good place to end the second season. It felt like a contrast to the first season. If it turns out we don’t make any more, I’m comfortable with that being a resting place.

You’re leaving the door open for more — but if this the end, you’re okay with that.

I mean, the Revenge is now being captained by Frenchie, and I think Frenchie’s Revenge would be an interesting place to work and an interesting ship to be boarded by. And Ed and Stede, they’re in the early 30s part of their relationship. Emotionally, they’re going to move in together and start a business. I think there’s a whole other story to tell about what happens when that relationship gets more mature. How do you make that relationship work? It’s not just happily ever after. You have to work at it. And that’s a story I’d like to see.

This interview has been edited for length and clarity.

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