What comes to mind when you think of the South? Does it conjure images of wrap-around porches and sweet tea? Or does it summon images of discrimination?

The “Southern/Modern” exhibit at the Georgia Museum of Art presents various paintings of the South through over 100 works created during the first half of the 20th century. The pieces are from both native Southern artists and those who were inspired by the region during their time there.

One piece in particular that stood out to me was “Swing Low, Sweet Chariot” by John McGrady. This oil painting depicts a Black family’s rural home. Members of the family surround a dying man while Black angels battle demons and bring a fiery chariot from above. I was drawn to this piece because of its dark color pallet and the vertical movement of the narrative. The biblical story of Elijah and the fiery chariot was the first thing that came to mind, which speaks to the religious beliefs that hold many Black families together.

The exhibit also makes sure to address problematic aspects of certain pieces. Many of the works were created by white painters who included stereotypical depictions of Black people. The juxtaposing artworks reveal the assorted tapestry that is the South, challenging narrow views while inviting the viewer to rediscover the region.

Viewing this collection with my father showed me how each generation’s relationship with the South is different. It gave me a window into the past and how it affects my view of the South today. My only critique would be that the abstract art didn’t seem to hold the same impact as the representational art. 

4/5 stars